Mark Morris and his dancers are in the UK for a five-week tour. Regional audiences are shown a programme of established work, London audiences will see two pieces new to the UK.
Bach’s Italian Concerto is an ideal opener and a useful introduction to the Morris company’s relationship with live music. Gently pulsating dancing with serene, smooth movements contains nothing too extravagant, but the sway and snap of the choreography enthrals. It looks deceptively simple.
