‘How delicious are these implements of torture?’ wrote Marquis de Sade.
Knot, the latest from the Brazilian choreographer Deborah Colker, would have had him salivating in no time.
The light is sepia-toned, the music a dissonant throb. A woman stands, shackled by her wrists and ankles, as a man adjusts and tightens her stays. They appear to be naked, save for dark patches over erogenous zones.
