Mark Morris and music are inseparable and, rather like Siamese twins, joined at the hip. Morris hears music, is saturated with it, and what results is dance that has a symbiotic life with its score. That life is sometimes difficult, cussed, but Morris, as well as being a conduit through which the notes turn to dance, is also a witty creator who casts a sometimes sideways look at a composition, sees its merits and faults, and reveals both in his choreography.
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