Clement Crisp, Financial Times

Mark Morris and music are inseparable and, rather like Siamese twins, joined at the hip. Morris hears music, is saturated with it, and what results is dance that has a symbiotic life with its score. That life is sometimes difficult, cussed, but Morris, as well as being a conduit through which the notes turn to dance, is also a witty creator who casts a sometimes sideways look at a composition, sees its merits and faults, and reveals both in his choreography.

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