Guise Magazine, Claire Thomas 4.4.2013

Set in a stark and empty stage, the action of this dance theatre experience revolves around Antony Gormley’s coffin-like wooden boxes that form the basis of the piece’s clever, changing set. These giant jenga-like pieces are pulled apart, slotted together, pushed over, jumped on & slid around in a sequence of stunning formations. At some points they form a lotus flower, a wall, a boat & at a particularly memorable moment they collapse in a diagonal line, crashing onto each other like dominoes.

Read the full review