Judith Mackrell, The Guardian

Deborah Colker?s work has always been marketed as sexy, glossed as it is with a radiant athleticism and breathtaking stage design. Yet if its visual impact is mesmerizing, its content is invariably disappointing, which may be why Colker is using her latest show, knot, to probe beneath her own image, examining sex as a drama of psychological conflict and raw instinct.

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